The Beauty in Goodbyes – When TV Shows Just Won’t Let Go

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We have all been in that situation where you make a dramatic farewell to someone only for them to carry on walking the same way as you are for a few more kilometres. The walk changes from a pleasant catch up to the most awkward time as you attempt to start conversation again. Television series are no different to that; they can turn from a series you avidly watch when they air to one you reluctantly watch because it hasn’t ended yet and you’re adamant to finish it.

Unsure what sort of series I mean? Think programmes like Heroes which gained phenomenal views in its 1st season only to have the figures slowly dissipate as the seasons went on. Television directors and broadcasting companies know a good thing when they see it and ratings is the epitome of “good things”. So when a successful television programme takes off it is only a matter of time before the broadcaster pays the show creators to produce another season until, like vultures on a carcass, it is picked clean of any individuality or flare that made the show such a success. Viewers begin to lose interest in the series and find other shows to watch, when this happens the television companies will do the same; dropping the show with no conclusion and preying on another show to take its place, creating as many seasons as possible before interest is lost. In this sense, broadcasters are constantly chasing after the viewers; scavenging any interest in a show they may have had.

However, is it fair for the broadcasters to do this? How many series have been ruined by constant seasons being made? Heroes, Lost, Smallville & Primeval have all been victims to the scavenging media vultures. These shows all started with great plots and all had something unique until popularity forced them into creating more stories than their premises could hold. Like the majority of the media, their narratives became weaker and in doing so their uniqueness was lost. Surely it would have been greater if these shows knew their limits. “Save the cheerleader, save the world” would not have become a redundant saying in Heroes, Smallville would remain set in the small farm town rather than Metropolis and dinosaurs would have remained as the creatures coming through the anomalies rather than mythical beasts in Primeval.

Due to being completely hollowed out by major television corporations these shows will never get their chance to become big cult television classics that those that were ended, perhaps before there time, have. Shows like Buffy the Vampire Slayer, the original Star Trek and Farscape all have a cult following because the shows were either cancelled or ended on their own accord and perhaps ironically have permeated into other successful media platforms such as graphic novels. In doing so, these shows still made money after their end without completely destroying the reasons behind what made them a success in the first place. Perhaps contemporary television broadcasters should take a note and finally leave our favourite television programmes to take their course and end naturally.

First submitted to Brighton Elephant

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Why Watch… ‘iZombie’

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Olivia ‘Liv’ Moore was living the dream; she had the perfect job, the perfect fiancé and the greatest friends. She worked as an upcoming medical resident with a promising career in becoming a great cardiac surgeon until one fateful boat party changed her life forever. The boat was attacked by brain-eating zombies and the entire incident was thought to have happened due to the influence of drugs and alcohol. Unfortunately, Liv did not escape unscathed; getting scratched by the drug dealer turned zombie Blaine. Having distanced herself from her friends and family to avoid ‘infecting’ them, she is thought to be suffering from post-traumatic stress. With the hunger for brains (and the need to cover anything she eats in hot sauce just to taste it), Liv Moore (the irony would kill her if she could die) now earns an ‘unliving’ as a coroner’s assistant where she can eat the cerebral tissue of the already deceased. However, every time she eats a brain the victim’s personality and memories permeate into her own for better or for worse.

Life as a secret zombie couldn’t get any worse; that is until her boss Dr Ravi Chakrabarti discovers her ‘mid-dinner’ and wants to study her ‘disease’. Moreover, she is thought to be psychic by detective Clive Babineaux because of the information she can accumulate from the victim’s memories. Nonetheless, zombie life does have its perks, as she helps detective Babineux solve murders, Liv comes to realise that although her living life has ended, that does not mean she has to stop living altogether. Now with her boss actively looking for a cure Liv comes to realise that being a zombie may not be permanent.

Although only vaguely based on DC’s Vertigo comic book series, iZombie does pay homage to its original medium through the use of pop art-like chapter sequences and comic strip opening credits. It also follows a typical comic book strategy in that it has a stream of consciousness narrative by Liv Moore. The series mainly focuses on how the murder victim’s personality helps solve murders all the while affecting Liv in her already lacking social life; making her as cold-hearted as her hit-man victim to as nurturing as her pregnant victim. However, the programme also attempts to show how being untrue to the ones she loves can have terrible consequences with her confused ex-fiancé slowly losing his grip on reality by uncovering Blaine’s underground brain harvesting business without any idea what they are or why they are doing it.

If you like Warm Bodies, Dead Like Me and Pushing Daisies then you will love iZombie. With its black humour, character development and dramatic subplots, iZombie is a must-see television programme that you would have to be dead not to give it a go.