Similar to the short-lived Gotham Central comic book series which focussed on the Gotham City Police Department rather than Batman, Gotham centres on Jim Gordon’s first year attempting to fix the corrupt Gotham City before Batman existed. As one of Gotham’s few ‘clean’ cops, Gordon gets tasked with the murder of a young Bruce Wayne’s parents which leads him to the mob; most specifically Carmine Falconi. Since Falconi owns the police force and there cannot be “organized crime without law and order” Gordon is tasked to prove he is ‘part of the programme’ by killing a whistle-blower lackey named Oswald Cobblepot (The Penguin). Keeping to his moral code, Gordon pretends to kill him and orders him never to return to Gotham. Unbeknownst to anyone, this action is the beginning of a big change in Gotham. With mobsters such as Fish Mooney and the Moronis attempting to overthrow Falconi, Cobblepot returning to create his own mob and Bruce Wayne beginning to train with Alfred, the only thing clear is that Gotham will never be the same again.
The programme mixes the gangster genre with comic book elements in order to create a gritty portrayal of a city in need of a saviour, allowing for people uninterested in comic books to enjoy a police drama. That is not to say that Batman fans will be disappointed as the show is filled with characters from the Batman mythos such as Jim Gordon, Harvey Bullock, Renee Montoya and Edward Nygma. Some characters are obvious but there are many hidden allusions to the DC world such as the introduction of Thomas Elliot (Hush) and even Harley Quinn’s costume (seen on dancers within Fish Mooney’s night club). These ‘easter eggs’ add to the programme’s appeal for die-hard Batman fans while those who are not familiar with the comic books will not truly feel excluded from following the plot.
A gritty police drama filled with plenty of plot twists and betrayal Gotham will leave the audience unsure who to trust in a city where the police are just as corrupt as the criminals. The show bypasses the expectations of a simple series to set up a world before Batman by making sure that each case Gordon and Bullock do tackle are just as difficult to solve as any other crime drama. The viewer won’t be disappointed by the judiciary narrative or the connections with one of DC’s most recognisable superheroes.